中文字事不卡一二三区

中文字事不卡一二三区

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      中文字幕不卡一二三四

      Over-ear 中文字字幕码一二三区</h5>
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      中文字事不卡一二三区

      Springing from Audio-Technica's rich heritage in professional audio, the ATH-MSR7 Over-Ear High-Resolution Audio Headphones are designed to reproduce Hi-Res Audio, allowing users to hear music the way it was intended. The over-ear headphones are outfitted with exclusive 45 mm True Motion Drivers, which utilize lightweight voice coils, a custom-mounted printed circuit board and specially designed diaphragm to improve transient response and minimize sound distortion for rich, 详细ed audio re产品介绍ion.

      $199 $249

        Add to Cart

      Audio-Technica's new flagship consumer headphones, the ATH-MSR7, have hit this balance of form and function right on the head. - Reviewed.com

      The ATH-MSR7 headphones also feature multi-layered air damping technology for extended mid-to-low frequency response. The housings, designed to “mirror” the full shape of the ear, are constructed of an aluminum/magnesium mix, layered to provide a lightweight, rigid structure that reduces unwanted resonance. Three precisely placed vents within these layers work to control air flow and improve dynamics.

      The over-ear headphones’ highly flexible swivel design, with soft, memory foam earpads and headband ensure lasting comfort even during the longest listening sessions. And with three detachable cables (standard 1.2 m (3.9') and 3.0 m (9.8') cables, plus a 1.2 m (3.9') cable with in-line controls and microphone for compatible smartphones and other devices) the ATH-MSR7 can provide Hi-Res Audio anywhere you go.

      中文字幕日产乱码一至六

      While many listeners may believe that high-resolution audio came along with the introduction of the Compact Disc in 1982, constraints on the disc’s storage space always prevented CD audio (standardized at 44.1 kHz/16-bit) from fully and completely reproducing the original recorded sound. The advent and subsequent popularity of MP3s only made this problem 更多 pronounced – the necessary compression of these files causes audio 资讯rmation to be lost, thus greatly reducing the audio quality.

      • Newly designed 45 mm True Motion Drivers deliver Hi-Res Audio reproduction
      • Multi-layer Air Damping Technology comprised of a layered aluminum/magnesium housing and triple-vent system reduces unwanted vibration and controls air stream for high audio clarity
      • Ultra-comfortable, soft, memory foam earpads and headband
      • Three detachable cables: standard 1.2 m (3.9') and 3.0 m (9.8') cables, plus 1.2 m (3.9') smartphone-compatible cable with in-line controls & mic
      • Stainless steel acoustic mesh resistor provides improved high-frequency response, while bass acoustic resistor delivers accurate low-frequency response
      • Includes carrying case
      • Available in black (ATH-MSR7BK) and gun-metal grey (ATH-MSR7GM)

      While many listeners may believe that high-resolution audio came along with the introduction of the Compact Disc in 1982, constraints on the disc’s storage space always prevented CD audio (standardized at 44.1 kHz/16-bit) from fully and completely reproducing the original recorded sound. The advent and subsequent popularity of MP3s only made this problem 更多 pronounced – the necessary compression of these files causes audio 资讯rmation to be lost, thus greatly reducing the audio quality.

      Type
      Dynamic
      Driver Diameter
      45 mm
      Frequency Response
      5-40,000 Hz
      Maximum Input Power
      2,000 mW
      Sensitivity
      100 dB/mW
      Impedance
      35 ohms
      Weight
      290 g
      Cable
      Detachable 1.2 m (3.9') standard cable, detachable 3.0 m (9.8') standard cable, detachable 1.2 m (3.9') cable with in-line controls and microphone for smartphones
      Connector
      3.5 mm gold-plated stereo mini plug, L-shaped
      Accessories Included
      Protective pouch
      Type (Microphone)
      Condenser
      Frequency Response
      50 - 4,000 Hz
      Polar Pattern (Microphone)
      Omnidirectional

      While many listeners may believe that high-resolution audio came along with the introduction of the Compact Disc in 1982, constraints on the disc’s storage space always prevented CD audio (standardized at 44.1 kHz/16-bit) from fully and completely reproducing the original recorded sound. The advent and subsequent popularity of MP3s only made this problem 更多 pronounced – the necessary compression of these files causes audio 资讯rmation to be lost, thus greatly reducing the audio quality.

      Answer

      While many listeners may believe that high-resolution audio came along with the introduction of the Compact Disc in 1982, constraints on the disc’s storage space always prevented CD audio (standardized at 44.1 kHz/16-bit) from fully and completely reproducing the original recorded sound. The advent and subsequent popularity of MP3s only made this problem 更多 pronounced – the necessary compression of these files causes audio 资讯rmation to be lost, thus greatly reducing the audio quality.

      Answer

      While many listeners may believe that high-resolution audio came along with the introduction of the Compact Disc in 1982, constraints on the disc’s storage space always prevented CD audio (standardized at 44.1 kHz/16-bit) from fully and completely reproducing the original recorded sound. The advent and subsequent popularity of MP3s only made this problem 更多 pronounced – the necessary compression of these files causes audio 资讯rmation to be lost, thus greatly reducing the audio quality.

      Answer

      While many listeners may believe that high-resolution audio came along with the introduction of the Compact Disc in 1982, constraints on the disc’s storage space always prevented CD audio (standardized at 44.1 kHz/16-bit) from fully and completely reproducing the original recorded sound. The advent and subsequent popularity of MP3s only made this problem 更多 pronounced – the necessary compression of these files causes audio 资讯rmation to be lost, thus greatly reducing the audio quality.

      Answer

      While many listeners may believe that high-resolution audio came along with the introduction of the Compact Disc in 1982, constraints on the disc’s storage space always prevented CD audio (standardized at 44.1 kHz/16-bit) from fully and completely reproducing the original recorded sound. The advent and subsequent popularity of MP3s only made this problem 更多 pronounced – the necessary compression of these files causes audio 资讯rmation to be lost, thus greatly reducing the audio quality.

      Answer

      While many listeners may believe that high-resolution audio came along with the introduction of the Compact Disc in 1982, constraints on the disc’s storage space always prevented CD audio (standardized at 44.1 kHz/16-bit) from fully and completely reproducing the original recorded sound. The advent and subsequent popularity of MP3s only made this problem 更多 pronounced – the necessary compression of these files causes audio 资讯rmation to be lost, thus greatly reducing the audio quality.

      While many listeners may believe that high-resolution audio came along with the introduction of the Compact Disc in 1982, constraints on the disc’s storage space always prevented CD audio (standardized at 44.1 kHz/16-bit) from fully and completely reproducing the original recorded sound. The advent and subsequent popularity of MP3s only made this problem 更多 pronounced – the necessary compression of these files causes audio 资讯rmation to be lost, thus greatly reducing the audio quality.

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